See, BB is watching The X-Files - she's just finished season one - and, um, she doesn't like it much. So she asked me to ask y'all some questions. For those of you who have watched the show, what's the best season, in your opinion? And what's the worst? And if she didn't much like the first season, mostly because she kind of felt like Scully got shafted, should she try any of the rest of the show? Please advise her, oh you who have watched the show. We will both be most grateful.
Now, before you reach for the pitchfork, can I distract you? I have things to recommend! Stories! Long ones! Because, you know, I've been away from this recommending thing for long time, so it seemed appropriate to come back that way. (Also, people are producing an astonishing number of fabulous longer stories lately, and this is a trend I want to encourage.) See? They are shiny and good. Please put down the pitchfork.
The One That Demonstrates, Once Again, That in the Jossverse, Retirement Is Only Possible If You're Dead. (And Buried. And Rotted. And No One Who Loves You Is a Witch.) Otherwise, It's Just a Temporary Retreat. Lilac City, by nwhepcat. Buffy the Vampire Slayer, Xander Harris/Faith Lahane.
I have a peculiar love of post-Sunnydale stories; to be perfectly honest, that's my primary reading (and, OMG, writing) area in BtVS these days. (It probably says some unfortunate things about me that I'm much less interested in the whole fighting vampires, saving the world thing and much more interested in where you go after you've saved the world. A lot.) And I also have a deep and abiding love for stories in which Xander is a person as opposed to, you know, a speaking prop in a comical shirt.
In other words, this story might as well have been made for me. (For some reason, I'm now tempted to break into song: "This fic is my fic/This fic is your fic/This fic was maaaaade for you and me!" And, whoa, I got flashbacks just from looking up the lyrics for that one, and of course I did have to look them up, because otherwise I get that song mixed up with the one about Tipperary. Or maybe it's Dixie. Thank you, music teacher of my elementary school: without you, I would not know how to sing several dozen songs about peanuts and cowboys and land, usually all at the same time. Also, because of your fine tutelage, I can bang arhythmically on any damn tambourine you care to hand me.)
Um. I think I was actually talking about this story, wasn't I? Right. So. This is Xander after Sunnydale, and he's settled into what we might call a very low energy state. But the thing about being around Buffy for a while - it's kind of like the Chosen-ness wore off on all of them; they gave her some normalcy, and it's like in return she gave them a bit of destiny. So, of course, trouble finds Xander. And he totally steps up. I love that, and I love how it unfolds, and there's one particular scene in this that I just - it was totally unexpected and wonderful and perfect, and I remember reading it while I was Trapped in a Hotel Room with Dogs and squeaking loudly enough to wake up Best Beloved.
The One That Is a Public Service Advisory on the Dangers of Heteronormativity for Everyone. From Superheroes to Supervillains, Heteronormative Assumptions Harm Us All. Useful Arts, by rivkat. Smallville, Clark Kent/Lex Luthor.
I love this one because - well, because, first, Lex Luthor is one of very few characters anywhere who would deliberately create a pheromone for his very own pheromones-made-them-do-it story. I mean, other characters - pheromones just happen to them. You know: it's the flowers' fault, or maybe the strange quirk of alien biology and/or ritual, or maybe the chocolate just has that extra special mystery ingredient. (Or, in The Sentinel, it's canon, in which case you have no choice as a fan fiction writer but to go there, too. I mean, obviously.) But Lex - Lex doesn't let things just happen to him, oh no. He makes them happen. Even if he knows damn well that he shouldn't.
Which is another reason why I love this story so damn much. Because Lex makes just about every major plot point happen and he knows it. That self-awareness - this is how I fucked up, this is when I fucked up, this is why I fucked up, these are fourteen historical references that thematically depict my fuck-up, and I knew all this at the time and did it anyway - is something I love to see from Lex, whose motto is apparently, at least in part: "If I don't outsmart myself, who will?" This story, in short, makes me want to simultaneously hug and smack Lex, and thus is just about perfect.
(And, as a serious, major bonus, it gives me a Supergirl I actually like. I never really gave Supergirl a chance in comics - there's, um, other issues in the way, there - but if she's like this, it might almost be worth dealing with those issues. She's like Clark, except a) comfortable in her own body and b) without all the buckets of "Yes, I'm more than human, but isn't more less in this case?" angst. I mean, I love Smallville's version of Clark, don't get me wrong, but it's refreshing to see someone managing to be superpowered and gorgeous and a hero to all without somehow turning that into a source of great personal unhappiness.)
The One That Proves That All Those Professional Perfume Creators, with Their Subtle Top Notes and Crap, Are Totally Missing out on Some Very Obvious Scents Guaranteed to Induce Passion in - Okay. Geeks, Mostly. I Fail to See a Problem with That. Instantaneous, by Cimorene, aka cimness. Stargate: Atlantis, Rodney McKay/John Sheppard.
You know, I'd say the actual show - and remember, my experience isn't all that extensive here, so feel free to correct me with charts and graphs and what-have-you (I welcome multi-colored charts! I find them very inspiring! ...What. So I was a science geek; I blame my genes.) - is maybe 10% boys with toys. (Oh, shut up. Not that kind of toy. Sadly, the canon is 0% boys with that kind of toy, and will be until we get Squee TV up and running ("By fangirls, for fangirls. And anyone else who loves genre television and sex").) This story is conclusive proof that it should be 40% boys with toys, 40% girls with toys, and they can have the other 20% for - whatever. It doesn't matter. Funny hats, for all I care. (Actually, funny hats would be kind of...never mind.) My point is, when you have great characters, and you put awesome toys in their hands (and, see, that was totally funny, and you'll have to read the story to find out why), greatness is the result.
At least, in the hands of Cimorene, greatness is certainly the result. I've been regularly re-reading this story ever since she posted it, and it just never stops being fun. It's everything I adore about SGA, basically. (Or everything that doesn't include cliches, crack, AUs, grimly realistic SF, and stories where someone has to make friends with a super-smart squid.) It's fun. It's snarky. It's got a great little gimmick that turns into a fantastic plot. And there is sex.
I tell you, when we get going with Squee TV, I am totally nominating Cimorene for a job writing one of the shows. She'd be fabulous at it. And her stories would absolutely contain the appropriate ratio of boys with toys.
The One That Proves That, When Given a Choice, You Should Always Take the Bigger Boat. (Although, Really, I Think a Single Viewing of Jaws Should Be Sufficient to Teach That Lesson, but Some People Are Stubborn.) In the Wrong Story and Wandering Blind, by katie_m. Stargate: SG-1, Sam Carter/Daniel Jackson, Sam Carter/Jack O'Neill, Sam Carter/Daniel Jackson/Jack O'Neill.
You know, I'm not sure if it says more about this fandom or more about my tastes within this fandom that it was serious agony to pick only one of the many long post-apocalyptic SG1 stories that I want to recommend for this post. I mean, part of it is just that - well, you need something major to break SG1 (the team) out of the mold, and an apocalypse is a good way to do that. And part of it is that I'm a happy endings addict, and a lot of the happy endings I see for these people require, well, an apocalypse. It's like their motto is: "The end of the world is the first day of the rest of our lives."
And, yes. I am perfectly willing to have billions of off-screen deaths in exchange for my on-screen happy ending. When it comes to fan fiction, I am all about the needs of the few, okay? And the billions of deaths are definitely totally off-screen in this story; we start with Sam and Daniel, picking up the pieces (that's in In the Wrong Story, and I'm just not capable of seeing these two stories as anything but two parts of one long one - actually, they're kind of two-thirds of one long story in my mind, but these parts are entirely complete in themselves), and then move on to Sam, Daniel, and Jack, still picking up the pieces. I love that.
I also love the way the threesome plays out in this, because too many OT3 stories are all: "Hey presto, and the characters are together, and it's all perfect and also there are unicorns! Yay!" (For that matter, too many OTP stories go that way, too, but that's a deal for another day.) This story shows three smart but complicated people working out their relationship, with determination and difficulty. I adore the realism of that.
Also, there's an awesome road trip. And zombies, kind of, and yet not the kind of zombies I'm afraid of. And world-building. And just - oh, too much good stuff to mention. So just trust me: this story is made of perfection, and so what if it's a perfection that had to be built on the deaths of billions of people? With SG1, these things happen.